Hamid Pourbahrami’s paintings draw our attention in many ways. The quality of the line, the originality of the subjects, and the dynamics of the compositions and different techniques, whether drawings, oil, or lithography paintings allow for Pourbahrami's work to be unequivocally recognizable. From his paintings emerge a certain violence and especially a nostalgia which is reminiscent of the descriptions of the South of the United States of Tennessee Williams. Hamid Pourbahrami occupies a special place in the contemporary Iranian artistic landscape. Originally from Abadan, a city torn between modernity and ancestral traditions, he chose to give us access to this reality by favoring an architectural approach to his paintings rather than decorative research. The result are powerful works whose beauty is intrinsically linked to the intention of the painter. We see women in black, with barrels of oil, buffaloes and characteristic birds forcing us to accept a concomitance of elements that we would imagine hardly compatible. Originally from an industrial city in which oil fields, poverty, and a country life that tries to maintain itself coexist, he uses these recurrences to highlight the chaotic character of the urban environment through the transpositions that his memories give him. Text by C. Sportis
Hamid Pourbahrami received the painting prize "mention for excellence" from the London art biennial and "Marco Polo - Art Ambassador International Prize" from Venice in 2015.